“If you are going to love my son, I’ll love you like the daughter I never had. If you are going to hurt him, I’ll kill you.” Grandma Sadie was suddenly earnest because the fact is, my mother was not Jewish, and this would be a problem for some of the family.
I was not there to see it, but they had been preparing tea in the kitchen, and my mother sat down, her eyes filling with tears. She cried because she suddenly dared to hope that the man sitting respectfully with his father in the living room, down the long narrow hallway from her, might bring her not only humor and sweetness, safety and balance: marrying him would bring to her, it seemed, the kind of mother she had longed for.
Grandma Sadie was big – and short. She was slopey, golden, soft: warm, buttery, and sweet. I was her youngest surviving granddaughter and I knew how lucky I was: my other grandmother was distant, reserved, and untouching – especially to her middle daughter.
Grandma Sadie loved all her grandchildren, but me in particular. She taught me to knit. She taught me about window-shopping, and Bailey’s sundaes, served in shiny chalices with fudge dripped about: messy and generous. Grandma was my first best friend. She drew the most beautiful picture of living I ever knew.
She taught by deed, not by word. She was a woman of action, and the text that her steps made across the city are part of her story. She knit everywhere, all the time – for us in the early years – and later: hats, mittens, and socks for the homeless. She read to the blind. She took me to the symphony, in time for the pre-concert lectures, where we put down our knitting needles only to applaud. Her stout figure, carried by fat, bunioned feet, on stocky Cuban heels, in Queensize l’Eggs nylons, traveled widely through the city of Boston for over eight decades.
As a child, I knew Grandma in the simple, unfettered way children “know” things. I rejoiced on the days Grandpa went to temple because it allowed for a special time between Grandma and me. Grandma could have gone in, covering her head, and sitting with the other women, in the balcony, to pray, but that was not her style. She chose instead, to be with me. We would walk a little to the park and select a bench in the sun. I would color until we got settled and she would ask, “Can you sing while we sit?” Her favorite, which was also mine, was the Riddle Song and I rarely refused.
“ I gave my love a cherry, that had no stone…” I would thread out the beginning line. What I loved about that song was the puzzling and answering of all the questions. Grandma would knit and listen with a small smile.
When I finished, she always mourned a little the passing of the song. “Tsk, tsk, tsk. So lovely.” I heard her, and I only secretly let myself be convinced. My voice might not have wobbled like hers, but it was hardly like the singing on the records I had or the operas my parents played. She was biased – even if I did not know the word for it – but I hoped she wasn’t, and that it was true.
In her pocket, Grandma carried hard candies and – for me – butterscotch or bullseyes. Every now and then when we were together one would appear.
Sometimes Grandma Sadie came to pick me up at school. When I burst through the front doors to cross the street to the Gym for my last class, she was sometimes already there: sitting in the car as if waiting for me for another hour (or more) were the most natural thing in the world. She would be knitting or pondering the crossword while the world went on its way around her. I knocked on the car window. “BOO!” I often yelled. She would startle looking up, and chuckle, and then beam to see me.
For the last 18 years of her life, Grandma Sadie lived as a single woman for the first time. It was during these years I knew her best. I became more of an adult myself then: wrestling with how much is too much aloneness and separation from family, and how much is not enough. I rented my first apartment, and then another, and then my last. The first was in the building where she lived.
This meant I could model outfits for her when I was going out on a date. It meant I faced her “Es & Es! Eat!” refrain, and we breakfasted together often. She never visited anyone without bringing something to eat – including me, whether it was 2 floors up in a studio apartment, one floor below in a one-bedroom, across town, or – finally – in the suburbs of the city, in my own home.
It was in these years that I heard of her bravery when she learned it was my mother who pleased her son. No religion could have meant for a parent to stand between a child and his happiness. In this, she stood against her father-in-law and her husband, as well as her Jewish upbringing.
When Grandma died, I was 28 and I found myself angry with her for not having written down any of her wisdom. She was an educated woman: a college graduate – Phi Beta Kappa – in 1923, and a teacher, long before she became a wife and mother and grandmother, after all. Instead of sharing childish songs with her, I had begun to share my writings, and I would have treasured anything she might have left.
At Grandma’s eulogy, I learned many entirely new things about her: that she paid $5.00 of her wages in 1918 toward the United War Campaign Fund and was named a Victory Girl; that she played piano – in public! – At the Chelsea Theater she modulated tempo and key based on the action on the silver screen; that she was a member of the Motor Corps for family members of patients at the Beth Israel Hospital in 1928.
But all the things I learned about this wonderful, sweet-smelling woman washed over me. “It was time. She had a good life. She didn’t suffer long. It was time,” People told me. But what I needed to know – the feeling I was looking for – was already in my heart – even if it has taken me years to find it…
She loved me.
(c)
The Riddle Song
I gave my love a cherry
That had no stone
I gave my love a chicken
That had no bone
I told my love a story
That had no end
I gave my love a baby
With no crying.
How can there be a cherry
That has no stone?
And how can there be a chicken
That has no bone?
And how can there be a story
That has no end?
And how can there be a baby
With no crying?
A cherry when it's blooming
It has no stone
A chicken when it's piping
It has no bone
The story that I love you
It has no end
A baby when it's sleeping
It's no crying.